At a glance, the two editions of Elie Wiesel’s Night are strikingly similar in appearance. Both are slim. Both are wrapped in black and white jackets with horizontal rules and emblazoned with the book’s title in type that mysteriously evokes a swastika. Yet the...
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TITLEKIND
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09.28.17A Tale of Two EditionsEssays
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08.23.17Programming for the MillionsEssays
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08.17.17Jonathan Franzen’s Infinite SadnessEssays
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07.21.17Re-visionEssays
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07.19.17What Fiction Gets Wrong About AIEssays
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05.25.17Writing as Little as PossibleEssays
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04.27.17Rereading Robert LowellEssays
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04.27.17American OriginalityEssays
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04.20.17James WrightEssays
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04.20.17So Where Are We?Essays
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04.14.17English 206Essays
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04.13.17Remembering Charlie (C. K.) WilliamsEssays
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04.05.17With a Perfect ContemptEssays
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04.04.17On the CoverEssays
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03.16.17Heresies for the LivingEssays
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03.09.17Carrèrisms, Carrèrists, CarrèreEssays
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12.22.16Shirley Hazzard and FSGEssays
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11.03.16A Story of Witness: By Gaslight and the Civil WarEssays
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10.18.16Victorian Vaudeville to Millennial ElectropopEssays
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09.29.16The Right of RebellionEssays