[caption id="attachment_1497" align="aligncenter" width="522"] Jesse Bering's Bookshelf[/caption] With more and more books published every year, it's increasingly difficult to separate the wheat from the chaff. Does this increase the usefulness of all the annual "Best of" lists? Perhaps. It's irresistible when a critic distills a year of reading into a simple hierarchy, especially if her tastes match your own. It's just so efficient. I tend to eschew those books awarded the most (or loudest) hosannas in favor of the previously unknown novels that slipped past me at publication. (This year it's Ben Lerner's excellent Leaving the Atocha Station.) Sites like Salon, The Millions, and The Guardian go straight to the authors for their recommendations. I decided to do the same, canvassing our writers and editors. With a couple caveats: First, the editors couldn't choose their own titles; Second, one's choices didn't need to be published in 2011, just read in 2011. Old classics and novels from 2010 and 2009 are all welcome. Some submitted a straightforward list, while others penned brief summaries. (The Spanish-Argentinian novelist Andrés Neuman even separated his list by language.) I hope you'll find your next favorite book among them. Favorite Reads from 2011:
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David Levithan is the author of The Lover’s Dictionary and of many acclaimed young-adult novels, including the New York Times bestselling Nick & Norah’s Infinite Playlist (with Rachel Cohn). He is also the editorial director at Scholastic and the founding editor of the PUSH imprint. The Lover’s Dictionary continues on Twitter @loversdiction. So many of my friends are finally reading Suzanne Collins’s The Hunger Games and then immediately asking me what to read next. To which I reply: Start with M. T. Anderson’s Feed, which is a different kind of dystopia but just as scary in its own way. I read it for the eighth or ninth time this year, and the future it portrays keeps getting closer and closer. Then there’s Maggie Stiefvater’s The Scorpio Races, which has such a singular, compelling vision that it’s hard to adequately describe. Just let yourself be taken away by it, as you’re taken away by The Hunger Games. (Full disclosure: I was an editor on both books.) Finally, be on the lookout next year for Jennifer Nielsen’s The False Prince, which I’ve already read twice now.
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To coincide with David Levithan's The Lover's Dictionary, he's asking readers to create their own entries in the style of the book. Here's a preview of what we mean: