As this glimpse at the proofs of my versions of Leopardi’s Canti suggests, a translation, like an original poem, is never finished, only abandoned. And that remains true even after the book is published—I’ve already started collected "improvements" for a future printing. There’s usually a way to say what needs to be said more concisely, more pithily, more beautifully. That’s why I’ve found translation over the years to have been an incredible education in writing.